written by Piero Patteri and @ulaulaman about #DonRosa #physics #science #disney #comics
I finally met again Piero Patteri at Comunicare Fisica, a workshop about the comunication of physics, and Piero gave to me a book that the italian Disney's fun site Papersera.net realized for Don Rosa in 2011. Because I will be to Lucca Comics in order to speak about comics and science, I decided to publish here the english version of the article that I written with Piero for the book "Don Rosa: A little something special".
The physical law of the real world are enforced in a very loose way in the comic book world. Bouncing, smashing, hitting in harmless crashes are common events in the strips, at least since the brick thrown by Ignatz against Crazy Cat, actually continuing the paroxysm of comic actions in the mute movie era. Therefore is really surprising, and amazing from a physicist point of view, to find a comics artist showing a constant effort of supporting the humoristic side embedding his plots in a rather coherent physical frame.
Here we account for our feelings when exploring the features of the Rosa's physics both in the voyager in the micro world, in
The Incredible Shrinking Tightwad, both in the outer space in Solar System in
Attack Of The Hideous Space Monsters, each of them a must subject in the work of sci-fi writer. After reviewing the most amusing gag offered by teletransport in
On a Silver Platter we eventually land in the realm of the Extraordinary Physics acting in
On stolen time, and
A Matter Of Some Gravity
In the micro world
The reducing machine appearing in
The Incredible Shrinking Tightwad is an explicit citation of the Carl Barks' machine in
Billions in the Hole, but the device found by ducks in the garret of Uncle Scrooge is defective, and once the squeezing has been started, the process proceeds indefinetely. So, beside the discovery of new dangerous features in an increasingly small world, the out-of-control evolution in the Rosa's tale enhance the thrilling plate after plate. In Barks' tale the size reduction causes a sudden flipping of hunter/prey role between ducks and ants, and just the timely rescue by Gyro Gearloose save their lives. Here Uncle Scrooge and Donald Duck fight at every stage, jumping on the coins in the bin like on pebbles in a stream, until these become the slippery walls of huge crack, or chasing away a ugly louse in the hair which soon becomes a monster; in the end in the dirty pocket of a Beagle Boy, the germs resembling mithological monsters Medusa or One-hundred-eyed Argo are on the point of overcoming them and only a deus-ex-machina intervention seems to be able to rescue them.
On the other hand, by the exploration of the new environment looking for an escape they discover realistic details, such as the grease on a hair, or the wood yarn embedded on the surface of a sticky plum; one could say they had nothing to the plot, but just their 'useless' presence conveys the feeling that ducks are really falling in an extraordinary, but extremely realistic world. So the way out jumping on the spikes of shaven beard is not a sudden trickery but the logical opportunity built all along the tale.
The hastening of events sometime reminds Hitchcock's hunting/escaping sequences, such as in North by Northwest or Vertigo, and like in the movies by the Master of suspence, the choching solution bursts into the stage, with Uncle Scrooge becoming again full size in the hand of a Beagle Boy
In the outer space
Again the foolish switch-on of a misterious device affects the physical property of the Uncle Scrooge bin. This time it looses its wheight, and the ducks must pursue it in the space, hoping to success in reversing the operation of the device.
The comment in the italian edition on
Zio Paperone #132 emphasizes the tribute to classic sci-fi movies. Although this is true as far as the dive in a space-time tunnel is concerning, quoting the
Star Trek and
Star War sagas, we think that most of details in the tale are an humorous tribute to
Paperino e il razzo interplanetario. The space-ship travel among the asteroid belt and the encounter with a family of precious mineral digger match the corresponding sequences by
Luciano Bottaro.
The parodistic side of the tribute is not only in the personality and aspect of the aliens, but also in minor characters, as the chichen, mistaken for the chief of ducks, owing to a red crest which recall the Rebo crest. The interrogation of the chicken in the last cartoon is quoting the same probing of Donal Duck by Juppiter officers.
While these points are in the realm of the 'classical sci-fi physics', Rosa adds an additional concept to his Extraordinary Physics, to be discussed later in deeper insight, to explain the operation of the antigravity device: it cancels the inertia, so that the sudden hit on the Moon does not destroy the asteroid and the bin on it. Besides recalling these amazing points, we cannot forget that in Don Rosa's drawings there is a astonishing anticipation of the dynamics of the dramatic events of 9/11.